Interstellar (2014) - Piracy Visibility Analysis Report
Movie Warner Bros.
Trends in Piracy Presence Over Time: Top 20 and Top 100 Google Search Results.
Executive Summary
Date of Monitoring: April 04, 2026.
This report presents an in-depth piracy visibility analysis for Interstellar, conducted across 116 target region worldwide.
The monitoring process involved analyzing Google Search results in each region using two distinct queries in the native language: one focused on online streaming and the other on downloading Interstellar. These queries were chosen as they are likely used by individuals seeking unauthorized access to the movie Interstellar.
The primary aim of this report is to deliver a comprehensive snapshot of the visibility of pirated content associated with Interstellar within Google Search results. By focusing on both streaming and downloading activities, this report provides critical insights into the current landscape of online piracy affecting the movie, equipping rights holders with actionable data to implement effective anti-piracy measures.
General Overview
This section provides a high-level summary of the piracy landscape for Interstellar in the monitored region. It includes two key metrics along with visual representations of piracy appearance rates within the top search results:
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Total Detected Infringing URLs in Top 20: 0
This figure represents the total number of infringing URLs found in the top 20 search results across both search queries (online streaming and downloading) for Interstellar. -
Total Detected Infringing URLs in Top 100: 0
This figure represents the total number of infringing URLs found in the top 100 search results across both search queries for Interstellar.
Visual Summary
The following pie charts illustrate the percentage of infringing URLs detected within the Top 3, Top 10, Top 20, and Top 100 Google search results for Interstellar. These visualizations offer a clear overview of piracy visibility across prominent search rankings, highlighting the extent of the issue at different levels of search result prominence.
Piracy Presence in
Top 3 (%)
Piracy Presence in
Top 10 (%)
Piracy Presence in
Top 20 (%)
Piracy Presence in
Top 100 (%)
Zooming in on Piracy's Global Footprint
This section analyzes the prevalence and visibility of pirated content for Interstellar across multiple countries, highlighting geographic hotspots where infringing content is most accessible. This analysis provides valuable insights into regions significantly impacted by piracy, guiding targeted anti-piracy strategies.
Piracy-Affected Regions by Infringements
| Total Infringements | Piracy Presence Rate | ||||||||
|---|---|---|---|---|---|---|---|---|---|
| Region | Top 3 | Top 10 | Top 20 | Top 100 | Top 3 | Top 10 | Top 20 | Top 100 | |
| 1 | Africa | 0 | 0 | 0 | 0 | 0% | 0% | 0% | 0% |
| 2 | APAC | 0 | 0 | 0 | 0 | 0% | 0% | 0% | 0% |
| 3 | Europe | 0 | 0 | 0 | 0 | 0% | 0% | 0% | 0% |
| 4 | LATAM | 0 | 0 | 0 | 0 | 0% | 0% | 0% | 0% |
| 5 | MENA | 0 | 0 | 0 | 0 | 0% | 0% | 0% | 0% |
| 6 | North America | 0 | 0 | 0 | 0 | 0% | 0% | 0% | 0% |
Piracy-Affected Countries by Infringements
| Total Infringements | Piracy Presence Rate | ||||||
|---|---|---|---|---|---|---|---|
| Country | Top 10 | Top 20 | Top 100 | Top 10 | Top 20 | Top 100 | |
| 1 | Albania | 0 | 0 | 0 | 0% | 0% | 0% |
| 2 | Algeria | 0 | 0 | 0 | 0% | 0% | 0% |
| 3 | Angola | 0 | 0 | 0 | 0% | 0% | 0% |
| 4 | Argentina | 0 | 0 | 0 | 0% | 0% | 0% |
| 5 | Armenia | 0 | 0 | 0 | 0% | 0% | 0% |
| 6 | Australia | 0 | 0 | 0 | 0% | 0% | 0% |
| 7 | Austria | 0 | 0 | 0 | 0% | 0% | 0% |
| 8 | Azerbaijan | 0 | 0 | 0 | 0% | 0% | 0% |
| 9 | Bahrain | 0 | 0 | 0 | 0% | 0% | 0% |
| 10 | Belarus | 0 | 0 | 0 | 0% | 0% | 0% |
| 11 | Belgium | 0 | 0 | 0 | 0% | 0% | 0% |
| 12 | Belize | 0 | 0 | 0 | 0% | 0% | 0% |
| 13 | Benin | 0 | 0 | 0 | 0% | 0% | 0% |
| 14 | Bolivia | 0 | 0 | 0 | 0% | 0% | 0% |
| 15 | Botswana | 0 | 0 | 0 | 0% | 0% | 0% |
| 16 | Brazil | 0 | 0 | 0 | 0% | 0% | 0% |
| 17 | Bulgaria | 0 | 0 | 0 | 0% | 0% | 0% |
| 18 | Burkina Faso | 0 | 0 | 0 | 0% | 0% | 0% |
| 19 | Cameroon | 0 | 0 | 0 | 0% | 0% | 0% |
| 20 | Canada | 0 | 0 | 0 | 0% | 0% | 0% |
| 21 | Central African Republic | 0 | 0 | 0 | 0% | 0% | 0% |
| 22 | Chile | 0 | 0 | 0 | 0% | 0% | 0% |
| 23 | Colombia | 0 | 0 | 0 | 0% | 0% | 0% |
| 24 | Costa Rica | 0 | 0 | 0 | 0% | 0% | 0% |
| 25 | Croatia | 0 | 0 | 0 | 0% | 0% | 0% |
| 26 | Cyprus | 0 | 0 | 0 | 0% | 0% | 0% |
| 27 | Czech Republic | 0 | 0 | 0 | 0% | 0% | 0% |
| 28 | Democratic Republic of the Congo | 0 | 0 | 0 | 0% | 0% | 0% |
| 29 | Denmark | 0 | 0 | 0 | 0% | 0% | 0% |
| 30 | Djibouti | 0 | 0 | 0 | 0% | 0% | 0% |
| 31 | Dominican Republic | 0 | 0 | 0 | 0% | 0% | 0% |
| 32 | Ecuador | 0 | 0 | 0 | 0% | 0% | 0% |
| 33 | Egypt | 0 | 0 | 0 | 0% | 0% | 0% |
| 34 | El Salvador | 0 | 0 | 0 | 0% | 0% | 0% |
| 35 | Estonia | 0 | 0 | 0 | 0% | 0% | 0% |
| 36 | Finland | 0 | 0 | 0 | 0% | 0% | 0% |
| 37 | France | 0 | 0 | 0 | 0% | 0% | 0% |
| 38 | Gabon | 0 | 0 | 0 | 0% | 0% | 0% |
| 39 | Georgia | 0 | 0 | 0 | 0% | 0% | 0% |
| 40 | Germany | 0 | 0 | 0 | 0% | 0% | 0% |
| 41 | Ghana | 0 | 0 | 0 | 0% | 0% | 0% |
| 42 | Greece | 0 | 0 | 0 | 0% | 0% | 0% |
| 43 | Guatemala | 0 | 0 | 0 | 0% | 0% | 0% |
| 44 | Honduras | 0 | 0 | 0 | 0% | 0% | 0% |
| 45 | Hungary | 0 | 0 | 0 | 0% | 0% | 0% |
| 46 | Iceland | 0 | 0 | 0 | 0% | 0% | 0% |
| 47 | India | 0 | 0 | 0 | 0% | 0% | 0% |
| 48 | Indonesia | 0 | 0 | 0 | 0% | 0% | 0% |
| 49 | Iraq | 0 | 0 | 0 | 0% | 0% | 0% |
| 50 | Ireland | 0 | 0 | 0 | 0% | 0% | 0% |
| 51 | Italy | 0 | 0 | 0 | 0% | 0% | 0% |
| 52 | Ivory Coast | 0 | 0 | 0 | 0% | 0% | 0% |
| 53 | Jamaica | 0 | 0 | 0 | 0% | 0% | 0% |
| 54 | Jordan | 0 | 0 | 0 | 0% | 0% | 0% |
| 55 | Kazakhstan | 0 | 0 | 0 | 0% | 0% | 0% |
| 56 | Kenya | 0 | 0 | 0 | 0% | 0% | 0% |
| 57 | Kuwait | 0 | 0 | 0 | 0% | 0% | 0% |
| 58 | Kyrgyzstan | 0 | 0 | 0 | 0% | 0% | 0% |
| 59 | Latvia | 0 | 0 | 0 | 0% | 0% | 0% |
| 60 | Lebanon | 0 | 0 | 0 | 0% | 0% | 0% |
| 61 | Libya | 0 | 0 | 0 | 0% | 0% | 0% |
| 62 | Lithuania | 0 | 0 | 0 | 0% | 0% | 0% |
| 63 | Malawi | 0 | 0 | 0 | 0% | 0% | 0% |
| 64 | Malta | 0 | 0 | 0 | 0% | 0% | 0% |
| 65 | Mexico | 0 | 0 | 0 | 0% | 0% | 0% |
| 66 | Moldova | 0 | 0 | 0 | 0% | 0% | 0% |
| 67 | Morocco | 0 | 0 | 0 | 0% | 0% | 0% |
| 68 | Mozambique | 0 | 0 | 0 | 0% | 0% | 0% |
| 69 | Namibia | 0 | 0 | 0 | 0% | 0% | 0% |
| 70 | Netherlands | 0 | 0 | 0 | 0% | 0% | 0% |
| 71 | New Zealand | 0 | 0 | 0 | 0% | 0% | 0% |
| 72 | Nicaragua | 0 | 0 | 0 | 0% | 0% | 0% |
| 73 | Niger | 0 | 0 | 0 | 0% | 0% | 0% |
| 74 | Nigeria | 0 | 0 | 0 | 0% | 0% | 0% |
| 75 | Norway | 0 | 0 | 0 | 0% | 0% | 0% |
| 76 | Oman | 0 | 0 | 0 | 0% | 0% | 0% |
| 77 | Palestine | 0 | 0 | 0 | 0% | 0% | 0% |
| 78 | Panama | 0 | 0 | 0 | 0% | 0% | 0% |
| 79 | Paraguay | 0 | 0 | 0 | 0% | 0% | 0% |
| 80 | Peru | 0 | 0 | 0 | 0% | 0% | 0% |
| 81 | Philippines | 0 | 0 | 0 | 0% | 0% | 0% |
| 82 | Poland | 0 | 0 | 0 | 0% | 0% | 0% |
| 83 | Portugal | 0 | 0 | 0 | 0% | 0% | 0% |
| 84 | Puerto Rico | 0 | 0 | 0 | 0% | 0% | 0% |
| 85 | Qatar | 0 | 0 | 0 | 0% | 0% | 0% |
| 86 | Republic of the Congo | 0 | 0 | 0 | 0% | 0% | 0% |
| 87 | Romania | 0 | 0 | 0 | 0% | 0% | 0% |
| 88 | Russia | 0 | 0 | 0 | 0% | 0% | 0% |
| 89 | Saudi Arabia | 0 | 0 | 0 | 0% | 0% | 0% |
| 90 | Senegal | 0 | 0 | 0 | 0% | 0% | 0% |
| 91 | Serbia | 0 | 0 | 0 | 0% | 0% | 0% |
| 92 | Sierra Leone | 0 | 0 | 0 | 0% | 0% | 0% |
| 93 | Singapore | 0 | 0 | 0 | 0% | 0% | 0% |
| 94 | Slovakia | 0 | 0 | 0 | 0% | 0% | 0% |
| 95 | Slovenia | 0 | 0 | 0 | 0% | 0% | 0% |
| 96 | South Africa | 0 | 0 | 0 | 0% | 0% | 0% |
| 97 | South Korea | 0 | 0 | 0 | 0% | 0% | 0% |
| 98 | Spain | 0 | 0 | 0 | 0% | 0% | 0% |
| 99 | Sweden | 0 | 0 | 0 | 0% | 0% | 0% |
| 100 | Switzerland | 0 | 0 | 0 | 0% | 0% | 0% |
| 101 | Tajikistan | 0 | 0 | 0 | 0% | 0% | 0% |
| 102 | Thailand | 0 | 0 | 0 | 0% | 0% | 0% |
| 103 | Togo | 0 | 0 | 0 | 0% | 0% | 0% |
| 104 | Tunisia | 0 | 0 | 0 | 0% | 0% | 0% |
| 105 | Turkey | 0 | 0 | 0 | 0% | 0% | 0% |
| 106 | Turkmenistan | 0 | 0 | 0 | 0% | 0% | 0% |
| 107 | Ukraine | 0 | 0 | 0 | 0% | 0% | 0% |
| 108 | United Arab Emirates | 0 | 0 | 0 | 0% | 0% | 0% |
| 109 | United Kingdom | 0 | 0 | 0 | 0% | 0% | 0% |
| 110 | United States | 0 | 0 | 0 | 0% | 0% | 0% |
| 111 | Uruguay | 0 | 0 | 0 | 0% | 0% | 0% |
| 112 | Uzbekistan | 0 | 0 | 0 | 0% | 0% | 0% |
| 113 | Venezuela | 0 | 0 | 0 | 0% | 0% | 0% |
| 114 | Vietnam | 0 | 0 | 0 | 0% | 0% | 0% |
| 115 | Zambia | 0 | 0 | 0 | 0% | 0% | 0% |
| 116 | Zimbabwe | 0 | 0 | 0 | 0% | 0% | 0% |
Charts
This section presents a visual representation of the data for easier understanding and comparison.
Piracy Overview by Country: A chart ranking countries based on the number of infringing URLs in search results.
Infringing URLs by Query Type: A chart showing the distribution of infringing URLs for online viewing versus downloading through torrents.
Search Queries Breakdown
This section provides a detailed breakdown of the prevalence of pirated content for Interstellar across the monitored regions, organized by specific search queries. It allows readers to compare the visibility of infringing URLs by search query and identify the regions where pirated content is more accessible in search results.
| Region | Domain | Language | Search Query | Infringing URLs detected in top 20 | Infringing URLs detected in top 100 |
|---|
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LoginLegend and Data Methodology
For a comprehensive explanation of our data collection and analysis methods, please visit the dedicated page: Legend and Data Methodology. This page provides in-depth insights into the research process, including data sources, collection techniques, and key metrics employed.
By exploring this dedicated page, you will gain a deeper understanding of the data behind the chart and its reliability.
About Interstellar
Interstellar remains one of the most ambitious and thought-provoking films of modern cinema. Directed by Christopher Nolan and co-written with his brother Jonathan Nolan, the film is not just a visually stunning space epic but a deeply emotional journey that examines the resilience of the human spirit, the nature of time, and the profound mysteries of the universe.
At its core, Interstellar tells the story of humanity’s struggle to survive in a future where Earth is becoming increasingly uninhabitable. Crops are failing, dust storms ravage the land, and humanity faces impending extinction. Against this bleak backdrop, a former NASA pilot, Cooper (played by Matthew McConaughey), is recruited for a daring mission to find a new home for humankind. Alongside a team of scientists, including Dr. Amelia Brand (Anne Hathaway), Cooper embarks on an intergalactic voyage through a wormhole near Saturn, venturing into uncharted worlds in search of salvation.
The Science of Interstellar
One of the most striking aspects of Interstellar is its commitment to scientific accuracy, a rarity in Hollywood blockbusters. The filmmakers collaborated with renowned astrophysicist Kip Thorne, who served as an executive producer and scientific consultant. Thorne’s expertise ensured that many of the film’s concepts, such as wormholes, black holes, and time dilation, were rooted in real physics.
The depiction of the black hole, Gargantua, is particularly noteworthy. Unlike the typical portrayal of black holes as swirling maelstroms of destruction, Gargantua appears as a glowing, spherical object with light bending around its edges. This visualization was created using complex algorithms developed by Thorne and the film’s visual effects team, resulting in a portrayal so accurate that it led to scientific papers about black hole imaging.
Time dilation, another central theme in the film, is explored with emotional weight. In one unforgettable scene, the crew visits a planet near Gargantua where time passes much slower due to the immense gravitational pull. What seems like mere hours for the crew translates to over 20 years on Earth, a heart-wrenching consequence that underscores the personal sacrifices made in the name of exploration.
Visual and Technical Brilliance
Interstellar is a visual marvel, with cinematography by Hoyte van Hoytema that captures both the vastness of space and the intimacy of human emotion. The scenes on Earth are grounded in muted tones, reflecting the planet’s dire state, while the sequences in space are expansive, filled with breathtaking shots of distant planets, wormholes, and star fields.
The film’s practical effects also stand out. Nolan, known for his preference for in-camera effects over CGI, had full-scale spacecraft interiors built to enhance the realism of the scenes. The robots TARS and CASE, with their modular designs and unique movements, were operated by puppeteers on set, giving the actors something tangible to interact with.
Filming locations added another layer of authenticity. The Earth sequences were shot in Alberta, Canada, with vast cornfields that were specially grown for the production. The icy, desolate landscapes of Iceland doubled as the alien planets, creating a stark contrast to the warmth of Earth’s dying farmlands.
A Score That Transcends Time
Hans Zimmer’s score is an integral part of Interstellar’s emotional impact. Departing from his usual bombastic style, Zimmer created a soundtrack centered around organ music, inspired by the grandeur and mystery of space. The use of silence in space scenes, juxtaposed with the hauntingly beautiful music, heightens the sense of awe and isolation.
One standout piece, “Stay,” encapsulates the heartache of separation and the hope of reunion, themes that run throughout the film. The score not only complements the visuals but also becomes a character in its own right, driving the narrative and immersing the audience in its epic journey.
Themes of Love, Time, and Survival
At its heart, Interstellar is a deeply human story. While it delves into complex scientific ideas, the film is ultimately about love and its ability to transcend time and space. Cooper’s relationship with his daughter, Murphy (Mackenzie Foy and later Jessica Chastain), serves as the emotional anchor of the story. Their bond drives Cooper’s decisions and becomes a symbol of humanity’s connection to future generations.
The film also explores the ethical dilemmas of survival. Dr. Mann (Matt Damon), a celebrated scientist, embodies the darker side of human nature—self-preservation at any cost. His betrayal of the crew is a stark reminder of the fragility of trust and the dangers of unchecked ambition.
Time, both as a scientific concept and an emotional force, is another recurring theme. The passage of time, its relative nature, and the regret of lost years weigh heavily on the characters. Nolan masterfully uses time as both a storytelling device and a source of tension, culminating in the unforgettable sequence inside the tesseract—a representation of higher-dimensional space where Cooper communicates with Murphy across time.
A Legacy of Exploration
Interstellar is more than just a film; it is a meditation on humanity’s place in the cosmos. It asks profound questions about our responsibilities to future generations and the sacrifices required to secure their survival. The film’s optimism, despite its darker moments, is a testament to Nolan’s belief in the power of exploration and human ingenuity.
Ten years after its release, Interstellar continues to resonate with audiences around the world. Its blend of scientific authenticity, emotional depth, and visual spectacle has cemented its status as a modern classic. In an age where space exploration is once again capturing global attention, the film serves as a reminder of the limitless possibilities that lie beyond our planet—and the enduring strength of the human spirit.